The article describes the process of formation of the electrical identity of Kyrgyzstan in the era of Soviet modernity. There are two connections within the emerging Kyrgyz architectural school, which determine the appearance of the structures built in the 1960-1980s. in looking at conflicts. An analysis is made of compositional techniques and architectural images characteristic of the Central Asian region, as well as their subsequent use in the creation of architectural objects in Kyrgyzstan. For the first time in an educational institution dedicated to the architecture of Soviet modernism in Kyrgyzstan, the emphasis is on the study of precisely those architectural traditions that were recognized as the culture of the nomadic Kyrgyz, as well as their figurative harmony in the architectural monuments of "Soviet Kyrgyzstan."